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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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General Birdwood, the Idol of Anzac, taking a dip in the sea after a hard days work 1915

In the thick of it

Magazine article by Dr Sarah Engledow, 2010

Projecting the splendour of the empire, and the resolve of its subjects, the bust of William Birdwood keeps a stiff upper lip in the National Portrait Gallery.

Une Femme Amoureuse, Self portrait as Mireille Mathieu, 2022 Yvette Coppersmith

You, looking at me

Magazine article by Elspeth Pitt, 2022

Elspeth Pitt chats with Archibald Prize-winning artist Yvette Coppersmith about performance, coincidences and the intersection of art and life.

Self portrait

A guy from Paris

Magazine article by Dr Sarah Engledow, 2018

Sarah Engledow on a foundational gallery figure who was quick on the draw.

Don Hany

In character on location

Magazine article by Alistair McGhie, 2011

A photograph of Claudia Karvan that blends actor, character, photographer and captures the creative collaboration of the television series Love my way.

My father-in-law watering his garden, 1986 by Davida Allen

Lovingly observed

Magazine article by Dr Sarah Engledow, 2009

Sarah Engledow previews the beguiling summer exhibition, Idle hours.

David Marr, 2011 by Nicholas Harding

Through thick and thin

Magazine article by Dr Sarah Engledow, 2017

Sarah Engledow likes the manifold mediums of Nicholas Harding’s portraiture.

Australian Princess

Magazine article by Katherine Russell, 2005

The full-length portrait of HRH Crown Princess Mary of Denmark by artist Jiawei Shen, has become a destination piece for visitors.

Jessie Street

Worth her salt

Magazine article by Joanna Gilmour, 2009

Jerrold Nathan's portrait of Jessie Street shows the elegant side of a many-faceted lady.

Chevalier d’Eon, 1792

All dressed up

Magazine article by Jane Raffan, 2013

Jane Raffan asks do clothes make the portrait, and can the same work with a new title fetch a better price?

Swimming with Platypus, 2009

Someone to watch over you

Magazine article by Carrie Kibbler, 2013

Carrie Kibbler looks at how portraiture fits into the Australian Artbank Collection.

Self portrait, 1954

A sketch for some portraits

Magazine article by Judith Pugh, 2005

Judith Pugh reflects on Clifton Pugh's approach to portrait making.

Lowitja O'Donoghue

Anatomist's eye

Magazine article by Diana Warnes, 2016

Robert Hannaford has completed around 400 portraits over the span of his career.

Cathy Freeman, 1994

Depth of Field

Magazine article by Lauren Dalla, 2004

The exhibition Depth of Field displays a selection of portrait photographs that reflect the strength and diversity of Australian achievement.

Adrian Rawlins

Earth to earth

Magazine article by Dr Sarah Engledow, 2013

Dr Sarah Engledow discusses the recent gift of works by David Campbell.

Michael Leunig

The Philosophy of Teapots and Ducks

Magazine article by Gillian Raymond, 2005

Cartoonist Michael Leunig's insights into the human condition and current affairs have become famous Australia-wide.

Victor Trumper

Top shot that

Magazine article by Gideon Haigh, 2009

Gideon Haigh discusses portraits of Australian cricketers from the early 20th century

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Canberra, ACT 2600, Australia
Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency